Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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VERMEER VAN DELFT, Jan
The Love Letter (detail) kyi

ID: 09589

VERMEER VAN DELFT, Jan The Love Letter (detail) kyi
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VERMEER VAN DELFT, Jan The Love Letter (detail) kyi


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VERMEER VAN DELFT, Jan

Dutch Baroque Era Painter, 1632-1675  Related Paintings of VERMEER VAN DELFT, Jan :. | The Astronomer (detail) wet | The Concert (detail) rey | Officer with a Laughing Girl ar | View of Delft (detail) wt | Lady Writing a Letter with Her Maid (detail) set |
Related Artists:
Erich Heckel
German 1883-1944
ANTHONISZ Cornelis
b. ca. 1499, Amsterdam, d. ca. 1555, Amsterdam Dutch printmaker, painter and cartographer, maternal grandson of JACOB CORNELISZ. VAN OOSTSANEN. He was the dominant figure in the creation of north Netherlandish woodcuts from the mid-1530s until his death. His monogram, which combines the initials 'C' and 'T' with the staff and bell of St Anthony, was probably inspired by his father's first name. The greater part of his career was apparently spent in his native Amsterdam, where he probably trained with his grandfather.
Elisabetta Sirani
(8 January 1638 -25 August 1665) was an Italian Baroque painter whose father was the painter Giovanni Andrea Sirani of the School of Bologna She was born in Bologna. By age 17 she was a full-fledged engraver and painter and had completed over ninety works. By the time she died at the young age of 27, she had added at least eighty more to her repertoire. Besides being an independent painter by the age of 19, Elisabetta Sirani also ran her family's workshop. When her father became incapacitated by gout, she was burdened with having to support her parents, her siblings and herself, entirely through her art. The stress created by such heavy responsibilities may have been the cause of her early death. It is estimated that in all she produced some 200 paintings, drawings, and etchings. She painted themes such as the Virgin and Child, self portraits, and many more. Elisabetta Sirani used dramatic light and great movement in her work, which classified it in the Baroque style. She painted many of her larger scale and heavy-themed works publicly and in front of large (and adoring) crowds of on-lookers. Sirani's portraits, mythological subjects, and especially her images of the Holy Family and the Virgin and Child, gained international fame.






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